For Once, the Oscars Got a Lot Right (Even the In Memoriam Segment)
The ceremony figured out how to celebrate movies and the people who make them. It even understood Robert Redford’s place in American cinema.
2 hours ago
NY Times Arts
For Once, the Oscars Got a Lot Right (Even the In Memoriam Segment)
NY Times Arts
Review: ‘The Silent Serenade’ at Mannes Opera
Erich Wolfgang Korngold’s “The Silent Serenade,” written in the 1940s, was given its English-language, United States premiere by Mannes Opera.
3 hours ago
NY Times Arts
Review: ‘The Silent Serenade’ at Mannes Opera
NY Times Arts
Review: Handel’s ‘Hercules’ at Carnegie Hall
At Carnegie Hall, the English Concert made a case for “Hercules” as a strikingly modern dramatic oratorio of psychological and musical depth.
3 hours ago
NY Times Arts
Review: Handel’s ‘Hercules’ at Carnegie Hall
NY Times Arts
The Politics of Teyana Taylor’s ‘One Battle After Another’ Character
Teyana Taylor’s character of Perfidia Beverly Hills is the most radical part of Paul Thomas Anderson’s Oscar-winning movie.
4 hours ago
NY Times Arts
The Politics of Teyana Taylor’s ‘One Battle After Another’ Character
NY Times Arts
Best and Worst Moments From the 2026 Oscars
There was a lot to take in, from Michael B. Jordan’s thrilling win to the perplexing “bum drum.”
4 hours ago
NY Times Arts
Best and Worst Moments From the 2026 Oscars
NY Times Arts
Jess and Morgs Blur the Boundaries Between Live Performance and Film
Jess and Morgs, the creators of weird and wonderful works that blur the boundaries between live performance and digital, have reached the big time: the Paris Opera.
10 hours ago
NY Times Arts
Jess and Morgs Blur the Boundaries Between Live Performance and Film