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Why Electro’s Exacting Duo Justice Wanted to Break Its Own Rules
For “Hyperdrama,” Gaspard Augé and Xavier de Rosnay’s first album in eight years, the duo added genre experiments and guests to its arsenal of bangers.
10 hours ago
NY Times Arts
Why Electro’s Exacting Duo Justice Wanted to Break Its Own Rules
St. Vincent Dives Headfirst Into the Darkness
Seven albums and 17 years into an acclaimed solo career, the musician Annie Clark said she craved “a pummeling” on her new LP: “I want something to feel dangerous.”
7 hours ago
NY Times Arts
St. Vincent Dives Headfirst Into the Darkness
Hipgnosis Agrees to $1.4 Billion Deal to Sell to Concord
Hipgnosis, which owns the rights to songs by Justin Bieber and Neil Young, helped kick-start a rush on catalog sales. But its future has been in doubt.
8 hours ago
NY Times Arts
Hipgnosis Agrees to $1.4 Billion Deal to Sell to Concord
Jorie Graham’s Poetry of the Earth and Humanity, Set to Music
The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”
6 hours ago
NY Times Arts
Jorie Graham’s Poetry of the Earth and Humanity, Set to Music
‘Gun & Powder’ Review: Twin Vigilantes Stake Claim to the American West
The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in 19th-century Texas.
8 hours ago
NY Times Arts
‘Gun & Powder’ Review: Twin Vigilantes Stake Claim to the American West
‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
Guy Ritchie’s latest is the platonic ideal of an airplane movie, which is not exactly a good thing.
9 hours ago
NY Times Arts
‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
In ‘Franklin,’ Michael Douglas Uses His Charm to Bankroll America
A new Apple TV+ series dramatizes the years Benjamin Franklin spent in France, leveraging diplomacy and guile to secure his nascent country’s future.
12 hours ago
NY Times Arts
In ‘Franklin,’ Michael Douglas Uses His Charm to Bankroll America
‘The Wiz’ Review: A Black Classic Returns to Broadway
Almost 50 years after it debuted, this classic Black take on “The Wizard of Oz” tries to update its original formula.
12 hours ago
NY Times Arts
‘The Wiz’ Review: A Black Classic Returns to Broadway
A Millennial Weaver Carries a Centuries-Old Craft Forward
Melissa Cody mastered a weaving tradition dating back millenniums, but her eye-dazzling patterns joyously venture beyond it.
5 hours ago
NY Times Arts
A Millennial Weaver Carries a Centuries-Old Craft Forward
‘Abigail’ Review: Horror by Numbers
In this cheerfully unambitious vampire movie, a bloodsucker is shut up in an old mansion with some nitwit criminals. Will there will be gore? You bet.
7 hours ago
NY Times Arts
‘Abigail’ Review: Horror by Numbers
After 70 Years, Si Lewen’s Wrenching ‘Parade’ Marches On
This sequence of 63 bravura antiwar drawings hasn’t been shown in New York in nearly seven decades but they’re up again now, thanks to Art Spiegelman.
12 hours ago
NY Times Arts
After 70 Years, Si Lewen’s Wrenching ‘Parade’ Marches On
On the Ground at the Venice Biennale
Scenes from the pre-opening at the pivotal art event.
4 hours ago
NY Times Arts
On the Ground at the Venice Biennale
Camille Claudel's hand, not her trauma, is at the center of a magnificent Getty Museum show
Sculptor Camille Claudel was more than a tragic figure. Her art influenced her titanic mentor, Auguste Rodin. A smart L.A. exhibition explains how
1 day ago
LA Times Art
Camille Claudel's hand, not her trauma, is at the center of a magnificent Getty Museum show
Broadway makes way for 'Crazy Rich Asians' with new musical directed by Jon M. Chu
Filmmaker Jon M. Chu will find familiar material in his Broadway debut as he directs a musical adaptation of author Kevin Kwan's 'Crazy Rich Asians' trilogy.
1 day ago
LA Times Art
Broadway makes way for 'Crazy Rich Asians' with new musical directed by Jon M. Chu
Review: 'Monsters of the American Cinema' confronts the horror in grief
Christian St. Croix's 'Monsters of the American Cinema' has its Los Angeles premiere at the Matrix Theatre in a Rogue Machine production directed by John Perrin Flynn.
2 days ago
LA Times Art
Review: 'Monsters of the American Cinema' confronts the horror in grief
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